A People's Tragedy: The Russian Revolution, 1891-1924 Read online

  * There used to be a nice Soviet joke that the Supreme Soviet had decided to award the Order of the Red Banner to Nicholas II posthumously 'for his services to the revolution'. The last Tsar's achievement, it was said, was to have brought about a revolutionary situation.

  + The full titles of Nicholas II were: Emperor and Autocrat of All the Russias; Tsar of Moscow, Kiev, Vladimir, Novgorod, Kazan, Astrakhan, Poland, Siberia, the Tauric Chersonese and Georgia; Lord of Pskov; Grand Prince of Smolensk, Lithuania, Volhynia, Podolia and Finland; Prince of Estonia, Livonia, Courland and Semigalia, Samogatia, Belostok, Karelia, Tver, Yugria, Perm, Viatka, Bulgaria and other lands; Lord and Grand Prince of Nizhnyi Novgorod and Chernigov; Ruler of Riazan, Polotsk, Rostov, Yaroslavl', Belo-Ozero, Udoria, Obdoria, Kondia, Vitebsk, Mstislavl and all the Northern Lands; Lord and Sovereign of the Iverian, Kartalinian and Kabardinian lands and of the Armenian provinces; Hereditary Lord and Suzerain of the Circassian Princes and Highland Princes and others; Lord of Turkestan; Heir to the Throne of Norway; Duke of Schleswig-Holstein, Stormarn, the Dithmarschen and Oldenburg.

  force and resolution. In spite of her Anglo-German background, the Empress adopted with a vengeance all the medieval traditions of Byzantine despotism, and constantly urged her mild-mannered husband to be more like Ivan the Terrible and Peter the Great. The veneration which Nicholas felt for his father, and his own growing ambition to rule in the manner of his Muscovite ancestors, made it inevitable that he would endeavour to play the part of a true autocrat. As he warned the liberal nobles of Tver shortly after his coronation, he saw it as his duty before God to 'maintain the principle of autocracy just as firmly and unflinchingly as it was preserved by my unforgettable dead father'.20

  But Nicholas had been blessed with neither his father's strength of character nor his intelligence. That was Nicholas's tragedy. With his limitations, he could only play at the part of an autocrat, meddling in (and, in the process, disrupting) the work of government without bringing to it any leadership. He was far too mild-mannered and shy to command any real authority among his subordinates. Being only five feet seven inches tall and feminine in stature, he didn't even look the part of an autocrat. Domineering figures, like his mother, the Empress Maria Fedorovna, his uncles, the four Grand Dukes, and his ex-tutor, Konstantin Pobedonostsev, towered over him during the early years of his reign. Later his wife would 'wear the trousers', as she once put it in a letter to him.

  Yet it would be mistaken to assume, as so many historians have done, that Nicholas's failure stemmed from a fundamental 'weakness of will'. The generally accepted wisdom has been that Nicholas was a passive victim of history who became increasingly mystical and indifferent towards his own fate as he realized his growing powerlessness against the revolution. This interpretation owes much to the observations of his revolutionary enemies, who dominated the early literature on him. Viktor Chernov, the Social Revolutionary leader, for example, argued that Nicholas had met adversity with 'a kind of stubborn passivity, as if he wished to escape from life . . . He seemed not a man, but a poor copy of one.' Trotsky similarly portrayed the last Tsar as opposing 'only a dumb indifference' to the 'historic flood' that flowed ever closer to the gates of his palace. There is of course an element of truth in all this. Frustrated in his ambitions to rule as he thought a true autocrat should, Nicholas increasingly retreated into the private and equally damaged realm of his family. Yet this covert admission of political failure was not made for want of trying. Beneath his docile exterior Nicholas had a strong sense of his duty to uphold the principles of autocracy. As he grew in confidence during his reign he developed an intense desire to rule, like his Muscovite ancestors, on the basis of his own religious conscience. He stubbornly defended his autocratic prerogatives against the encroachments of his ambitious ministers and even his own wife, whose persistent demands (often in Rasputin's name) he did his best to ignore and

  resist. It was not a 'weakness of will' that was the undoing of the last Tsar but, on the contrary, a wilful determination to rule from the throne, despite the fact that he clearly lacked the necessary qualities to do so.21

  A complete inability to handle and command his subordinates was one obvious deficiency. Throughout his life Nicholas was burdened by a quite unnatural sense of decorum. He hid his emotions and feelings behind a mask of passive reserve which gave the impression of indifference to those, like Chernov and Trotsky, who observed him from a distance. He tactfully agreed with everyone who spoke to him rather than suffer the embarrassment of having to contradict them. This gave rise to the witticism, which went round the salons of St Petersburg, that the most powerful man in Russia was the last man to have spoken to the Tsar. Nicholas was too polite to confront his ministers with complaints about their work, so he left it to others to inform them of their discharge. Count Witte recalled his own dismissal as President of the Council of Ministers: 'We [Nicholas and Witte] talked for two solid hours. He shook my hand. He embraced me. He wished me all the luck in the world. I returned home beside myself with happiness and found a written order for my dismissal lying on my desk.' Witte believed that the Tsar derived some curious satisfaction from tormenting his ministers in this way. 'Our Tsar', he wrote in his memoirs, 'is an Oriental, a hundred per cent Byzantine.' Such unpredictable behaviour gave rise to feelings of insecurity within the ruling circles. Damaging rumours began to circulate that the Tsar was involved in various court conspiracies, or, even worse, that he did not know his own mind and had become the unwitting tool of dark and hidden forces behind the scenes. The fact that Nicholas relied on a kitchen cabinet of reactionary advisers (including Pobedonostsev, Procurator-General of the Holy Synod, and the notorious newspaper editor, Prince Mesh-chersky, whose homosexual lovers were promoted to prominent positions at court) merely added fuel to this conspiracy theory — as of course in later years Rasputin did.

  What Nicholas lacked in leadership he made up for by hard work. He was an industrious and conscientious monarch, especially during the first half of his reign, diligently sitting at his desk until he had finished his daily administrative duties. All this he did in the manner of a clerk — the 'Chief Clerk of the Empire' — devoting all his energies to the routine minutiae of his office without ever stopping to consider the broader policy issues. Whereas his father had been briefed on only the major questions of policy and had delegated most of his minor executive functions to his subordinates, Nicholas proved quite incapable of dealing with anything but the most trivial matters. He personally attended to such things as the budget for repairs at an agricultural training school, and the appointment of provincial midwives. It was evident that he found real comfort in these minor bureaucratic routines: they created the illusion of a smoothly

  functioning government and gave him a sense of purpose. Every day he carefully recorded in his diary the time and duration of his meetings with his ministers and his other official activities, along with terse notes on the weather, the time of his morning coffee, the company at tea, and so on. These routines became a sort of ritual: at the same time every day he performed the same functions, so much so that his officials often joked that one could set one's watch by him. To the petty-minded Nicholas, it seemed that the role of the true autocrat, ruling in person from the throne, was precisely to concern himself with every minor detail in the administration of his vast lands. He spent hours, for example, dealing with the petitions to the Chancellery: hundreds of these came in every month, many of them from peasants with rude names (e.g. serf nicknames such as 'Smelly' or 'Ugly' that had been formalized as their surnames) which they could not change without the Tsar's consent. Nicholas proved unable to rise above such petty tasks. He grew increasingly jealous of his ministers' bureaucratic functions, which he confused with the exercise of power, and resented having to delegate authority to them since he saw it as a usurpation of his own autocratic powers. So protective was he of his petty executive prerogatives that he even refused to appoint a private secretary, preferring instead to dea
l with his own correspondence. Even such simple instructions as the summoning of an official or the readying of a motor car were written out in a note and sealed in an envelope by the Tsar's own gentle hand. It never occurred to him that an autocrat might be more usefully employed in resolving the larger questions of state. His mind was that of a miniaturist, well attuned to the smallest details of administration yet entirely incapable of synthesizing them into general principles of government. As Pobedonostsev once said of him, 'He only understands the significance of some isolated fact, without connection with the rest, without appreciating the interrelation of all other pertinent facts, events, trends, occurrences. He sticks to his insignificant, petty point of view.'22

  To defend his autocratic prerogatives Nicholas believed that he needed to keep his officials weak and divided. The more powerful a minister became, the more Nicholas grew jealous of his powers. Able prime ministers, such as Count Witte and Petr Stolypin, who alone could have saved the tsarist regime, were forced out in this fog of mistrust. Only grey mediocrities, such as the 'old man' Ivan Goremykin, survived long in the highest office. Goremykin's success was put down by the British commentator Bernard Pares to the fact that he was 'acceptable' to both the Tsar and the Tsarina 'for his attitude of a butler, taking instructions to the other servants'. Indeed, as befits a Tsar who ruled over Russia like a medieval lord, Nicholas regarded his ministers as the servants of his own private household rather than officials of the state. True, he no longer addressed them with the familiar tyi (the 'you' reserved for animals, serfs and children). But he did expect unthinking devotion from them and placed loyalty far above

  competence in his estimation of his ministers. Even Count Witte, who was anything but humble in his normal demeanour, found himself standing to attention in the presence of the Tsar, his thumbs in line with the seams of his trousers, as if he were some private steward.

  Nicholas exploited the rivalries and divisions between his different ministries. He would balance the views of the one against the other in order to retain the upper hand. This made for little coherence in government, but in so far as it bolstered his position it did not appear to bother him. Apart from a short time in 1901, Nicholas consistently refused to co-ordinate the work of the different ministries by chairing meetings of the Council of Ministers: it seems he was afraid that powerful factions might be formed there which would force him to adopt policies of which he disapproved. He preferred to see his ministers on a one-to-one basis, which had the effect of keeping them divided but was a recipe for chaos and confusion. These audiences could be extremely frustrating for ministers, for while Nicholas invariably gave the impression that he agreed with a minister's proposals, he could never be trusted to support them against those of another minister. Sustained and general debates on policy were thus extremely rare. If a minister talked too long on politics, the Tsar would make clear that he was bored and change the conversation to the weather or some other more agreeable topic. Aware that the Tsar found their reports dull, ministers consciously shortened them. Some even scrapped them altogether and amused him instead with anecdotes and gossip.23

  The result of all this was to deprive the government of effective leadership or co-ordination during the final years of the tsarist regime. Nicholas was the source of all the problems. If there was a vacuum of power at the centre of the ruling system, then he was the empty space. In a sense, Russia gained in him the worst of both worlds: a Tsar determined to rule from the throne yet quite incapable of exercising power. This was 'autocracy without an autocrat'. Perhaps nobody could have fulfilled the role which Nicholas had set himself: the work of government had become much too vast and complex for a single man; autocracy itself was out of date. But Nicholas was mistaken to try in the first place. Instead of delegating power he indulged in a fantasy of absolute power. So jealous was he of his own prerogatives that he tried to bypass the state institutions altogether and centre power on the court. Yet none of his amiable but dim-witted courtiers was remotely capable of providing him with sound advice on how to rule the country, coming as they did from a narrow circle of aristocratic Guards officers who knew nothing of the Russia beyond St Petersburg's fashionable streets. Most of them were contemptuous of Russia, speaking French not Russian and spending more time in Nice or Biarritz than on their landed estates in the provinces. Under the court's growing domination, Nicholas's government was unable to create coherent policies to deal with the

  mounting problems of society which were leading inexorably towards revolution. During its final years, especially after Stolypin's downfall in 1911, the government drifted dangerously as one sycophantic mediocrity after another was appointed Prime Minister by the Tsar. Nicholas himself spent more and more time away from his office. Government business had to be delayed for weeks at a time, while he went off on hunting trips, yachting parties and family holidays to the Crimea. But in the apparently secure refuge of his family another tragedy was unfolding.

  iii The Heir

  The Empress Alexandra found the jubilee celebrations a strain. She dragged herself with difficulty to all the public functions, but often left early with obvious signs of distress. At the magnificent ball given by the Moscow nobility she felt so ill that she could scarcely keep her feet. When the Emperor came to her rescue, it was just in time to lead her away and prevent her from fainting in public. During the gala performance at the Marinsky Theatre she appeared pale and sombre. Sitting in the adjacent box, Meriel Buchanan, the British Ambassador's daughter, observed how the fan she was holding trembled in her hands, and how her laboured breathing:

  made the diamonds which covered the bodice of her gown rise and fall, flashing and trembling with a thousand uneasy sparks of light. Presently, it seemed that this emotion or distress mastered her completely, and with a few whispered words to the Emperor she rose and withdrew to the back of the box, to be no more seen that evening. A little wave of resentment rippled over the theatre.24

  The fact was that the Empress had not appeared in public on more than a dozen occasions during the previous decade. Since the birth of her haemophiliac son, the Tsarevich Alexis, in 1904, she had secluded herself at the Alexander Palace at Tsarskoe Selo and other imperial residences away from the capital. It had been hoped that she would use the opportunity of the tercentenary to improve her public image. Having turned her back on society, she had come to be seen as cold and arrogant, while her dependence on the 'holy man' Rasputin had long been a matter of political concern because of his growing domination of the court. Yet shortly before the jubilee the illness of her son had taken a turn for the worse, and this was constantly on her mind during the celebrations. To make matters worse, Tatyana, her second daughter, had fallen ill with typhoid after drinking the infected water of the capital.

  Alexandra did her best to conceal her inner anguish from the public. But she lacked the heart to go out and win their sympathy.

  Alexandra was a stranger to Russia when she became its Empress. Since the eighteenth century, it had become the custom for Romanov rulers to marry foreign princesses. By the end of the nineteenth, inter-marriage had made the Romanovs an integral part of the family of European crowned heads. Their opponents liked to call them the 'Gottorp-Holstein' dynasty, which in genealogical terms was not far from the truth. Most statesmen shared the view that the balance of power in Europe would be secured by these dynastic ties. So there was reason to welcome the engagement in April 1894 of the Tsarevich Nicholas to Princess Alexandra, or Alix for short, daughter of the Grand Duke of Hesse-Darmstadt and Princess Alice of England. It was expected that the Princess would have plenty of time to prepare herself for the role of Empress. But Alexander III died only six months later, and the 22-year-old woman suddenly found herself on the Russian throne.

  Although in later years she was to be cursed by her subjects as 'the German woman', Alexandra was in fact in many ways the quintessential English woman. After the death of her mother, in 1878, she had been brought up in England by her grand
mother, Queen Victoria, whose strict morals, attitudes and tastes, not to speak of her tenacity of purpose, she had assimilated. Alexandra spoke and wrote with Nicholas in English. Russian she spoke poorly, with a heavy English accent, only to servants, officials and the clergy. Her housekeeping at the Alexander Palace was austerely Victorian. Factory-produced furniture was ordered from Maples, the English middle-class department store, in preference to the fine imperial furniture which much better suited the classic Empire style of the Alexander Palace. Her four daughters shared a bedroom, sleeping on narrow camp-beds; the Empress herself was known to change the sheets. Cold baths were taken every day. It was in many ways the modest ambition of Nicholas and Alexandra to lead the lifestyle of the English middle class. They spoke the cosy domestic language of the Victorian bourgeoisie: 'Hubby' and 'Wifey' were their nicknames for each other.25 But the Empress was wrong to assume, as she did from her knowledge of the English court, that such a lifestyle, which in England was a result of the monarch's steady retreat from the domain of executive power, might be enjoyed by a Russian autocrat.